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Liskeard Camera Club

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Colliford Lake photo-walk

Well, what a difference! The good weather bought with it loads of club members to a bright and cheery evening at Colliford Lake.

The nice weather brings with it its own set of challenges; the sun was reflecting fiercely off the lake making it difficult to get a nice exposure and even having the sun out of frame still made one side of the image brighter than the other side. The cloudless sky meant that sweeping vista’s were off the menu so the trees that eek out their lives on the shore became a focus for many.

Our brave and fearless chairman Richard even spent half-an-hour wading through the lake trying to get an image of one of the lake’s fishes jumping out of the water, but they kept tormenting him by jump just out of frame!

Still, it was interesting to see how different people interpreted the same location at the same time!

Colliford-resized.jpg 2350.jpg Untitled-4.jpg P4960509-HDR-2-Edit.jpg Untitled-2.jpg 2355.jpg Untitled-3.jpg 2340.jpg Untitled-1.jpg 2359.jpg 2364.jpg
categories: Events, photo-walk
Wednesday 05.25.16
Posted by Liskeard Camera Club
 

One Photograph Series - The Comfort Zone

Throughout my years of making photographs I have worked hard on forging my own style, taking a subject and putting my own stamp on it.

In the main my work is characterised by a few specific elements which tend to be black and white landscapes which have been taken with a 28mm lens which is a moderate wide angle.

Every now and then I try to mix things up. One area of photography which I enjoy immensely is street photography. This style of photography I find challenging and very much pushes me out of my comfort zone.

About 3 years ago I went to London for a day. Sebastiao Salgado had an exhibition of his latest work on at the Natural History Museum. I booked my time slot for an mid morning which then gave me a few hours in the afternoon to mooch about London taking photographs. For this trip I wanted to specifically shoot some street photography and I headed to the Southbank and Shoreditch areas.

When I’m looking for photographs I always want to find a different perspective and to try and be creative with a scene. I tried to stray away from photographs of people walking down the street holding shopping bags.

Whilst I was visiting a Shoreditch I came across a square which had lots of galleries and a camera fair (I didn’t buy anything!). It was quite late in the afternoon and the sun was starting to go down behind the tall buildings. I noticed the shadows on a wall of a couple of people who were chatting, I thought the shadows looked great on the wall and I moved in closer to frame them. I liked the separation of the people and I waited for a gesture which would give the photo more interest and if possible a perceived connection between the people.

Camera: Fuji X-Pro1
Lens: 60mm (35mm equivalent 90mm)
Aperture: f9
Shutter Speed: 1/1000th sec
ISO: 1600

The colour palette is quite minimal with only 2 colours being present. I feel the colours play an important part in this image, the yellows and blues are a perfect match and complement each other very well. I had my 60mm lens on my camera which is not a traditional street photography focal length, and is probably my least used lens.

For me this photograph is almost the complete opposite to my usual type of photography I create. By pushing myself out of my comfort I will hopefully be able to develop my skills and become a better photographer.

Sunday 05.22.16
Posted by Liskeard Camera Club
 

Minions photo-walk

I think the weather put most people off, and I can’t say I blame them!

It was a a dreary, wet and foggy evening on Thursday when we met at Minions and decided to head for the quarry near the Caradon Hill Transmitter, from there we carried on towards the disused mine-stacks that litter the landscape.

It really does give the area an eerie feeling when you can hardly see anything in-front of you and photographically speaking can be seen as both a pro and a con, the con being that you can’t take in any grand vistas, but the pro being that you can isolate subjects and remove distractions from the frame.

At least we managed to find our way off the moorland with the only casualty being an umbrella which caught a full gust of wind and was ripped inside-out!

 

P4960131.jpg P4960141.jpg P4960098.jpg P4960124.jpg P4960110.jpg P4960094.jpg P4960129.jpg
categories: Events, photo-walk
Friday 05.20.16
Posted by Liskeard Camera Club
 

Using Dodging and Burning to emphasise elements

Dodging and Burning are terms used to describe over or under exposing specific areas of the image to highlight or detract specific features in the picture. Although this might sound trivial, the impact that it can have on the image can be immense as it allows you to draw the viewers eyes to the parts of the image you want them to see, while also reducing distractions.

The names come from techniques developed in the darkroom. Burning is used to increase the exposure in a specific part of an image; when a print was being developed it would be exposed normally, then using an opaque card with a shape cut into it the developer could add extra exposure to a specified area of the print to make that area lighter.

Dodging is effectively the opposite; using shaped pieces of opaque card the developer could stop light from exposing in certain areas and therefore reduce the exposure and make the affected part of the image darker.  In the darkroom the developer would need to know how long the overall exposure was, and how long to dodge and burn the set parts of the image to get the overall effect, and this process would need to be repeated every time a new print was required.

Luckily we can now make masks in image developing software to make the process much easier, and more importantly, easily repeatable.

I recently took this shot at Golitha Falls near Minions, this tree by the river really stood out as an interesting feature but as it was late in the day the light was fairly flat and even and viewing the image at home it was clear that the lone tree was getting lost within the woods beyond.

Creating a mask that traces around each individual leaf sounds like an arduous task but luckily there is help at hand in the form of the “auto mask” option in Lightroom.  When this is turned on, instead of the brush just a round shape, it will look at the colour of the area you click on and stop the mask when it detects a distinct change, this allowed me to click near the edge of each leaf and let Lightroom detect the edge, here you can see the mask highlighted in red:

The mask was completed in less than 10 minutes which allowed me to pull the leaves on the tree out from the background, introducing a clear distinction between the tree and woods beyond:

 

Thursday 05.19.16
Posted by Liskeard Camera Club
 

Inspiration - Monika Gawinowska

I have been following Monika's work on Flickr for some time but her latest images are outstanding efforts, showing great composition and a sublime control over tone and depth-of-field.

Old Town
Old Town

For more of her work please have a look at her Flickr photostream: https://www.flickr.com/photos/gavinoska/

 

categories: Inspiration
Monday 05.16.16
Posted by Liskeard Camera Club
 

One Photograph Series - The Human Element

No matter where I am I'm always looking for a photo opportunity. Sometimes opportunities come along quickly and all the pieces of the image fall in to place perfectly, no mess, no fuss, just compose and shoot. This was not one of those days!

I was on holiday with my wife in Rapallo in Italy. We took the train along the coast stopping off at stations along the Cinque Terra region. It’s a stunning location with beautiful harbour villages which have houses built down the hillside to the sea.

Whilst waiting for the train to take us to our next destination I saw this great scene. The sun was quite high in the sky and I was shooting contre jour. The light was strong which created silhouettes and a deep contrasty scene. Standing on the 3rd platform I looked across the tracks to the other platforms, I loved the light pouring through the buildings and I especially liked the square which had a view to the sea.

I had a few elements which would go together to make a pleasing image, however I knew that I wanted something else to elevate the scene, a figure in the light square section would be perfect and so I waited. Unfortunately the area was very quiet, nobody was around, i knew that I only had a few minutes of waiting before the train came and we would be off on our way. I stood there eagerly wishing for someone to walk onto the platform.

The announcement came up for our train, I thought at this point I was going to miss the shot, luckily for me a couple of people walked into the scene, at this point I knew what I wanted. I was set up ready to take the photo, I just needed someone to be in the right place.

One of the people drifted off into the shadowed area leaving the woman stood exactly where I wanted, I took the photo. My train pulled in only a minute or two later.

Technical Data:
Camera: Panasonic G1
Lens: 14mm (35mm equivalent 28mm)
Aperture: f8
Shutter Speed: 1/2000th sec
ISO: 160

Sometimes it pays off to view a scene and to wait for things to fall in to place. On this occasion I knew a human element would lift this scene and give it added interest and context, it can be quite difficult sometimes to wait around for a shot and I have missed many opportunities as things haven’t worked out, but when It does work I find it well worth the wait.  

Sunday 05.15.16
Posted by Liskeard Camera Club
 

Portwrinkle photo-walk

First photo-walk of the year and we headed to Portwrinkle Beach to take in the sunset, unfortunately you can’t book the weather so what started as a quite promising evening soon deteriorated but there were still opportunities to be had, including the waves crashing over the harbour wall at high tide!

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categories: Events, photo-walk
Tuesday 05.10.16
Posted by Liskeard Camera Club
 

One Photograph Series - Camera Format

In the ever ending search for new landscapes to photograph I find myself scouring the coastline for hidden coves and areas which are less trodden. This particular scene was taken at Bude during a low tide. The rocks are to the south of Summerleaze beach close to Compass cove.

When I head out to take photographs for the day I tend to take at least 2 cameras with. Generally it will be my Fuji X-Pro1 with an 18mm lens and a film camera. For the last year or so I have taken my Noon pinhole camera with me.

Using both digital and film formats has allowed me to get two very different interpretations of the same scene, each with their own particular look and feel.  

Camera: Fuji X-Pro1
Lens: Fuji 18mm (35mm equivalent 28mm)
Aperture: f11
Shutter Speed: 1\250th sec
ISO: 400

Camera: Noon Pinhole (6x6, 6x9 & 6x12 format)
Lens: None
Aperture: f207
Shutter Speed: 6 sec
Film: Fuji Acros 100 (Medium Format)

When it comes to which photograph I prefer I do tend to lean towards the pinhole photograph, I prefer the slow shutter effect and the ethereal atmosphere created by the softness. I dare say my tastes will change over time and when it does I will always have the digital version to fall back on.   

If there was one thing I wish I could have done would be to have used a 10 stop filter for the Fuji’s 18mm lens. This would have given me the slow shutter to smooth out the waves whilst maintaining sharp details of the rocks.

There are many choices for a photographer when it comes to attaining a particular look to a photograph. Many effects can be achieved in post production software, however for me this process starts with the camera I choose.  

categories: Behind the shot, Gear
Sunday 05.08.16
Posted by Liskeard Camera Club
 

Marked Up Photographs Show How Iconic Prints Were Edited in the Darkroom

We often hear people cry out about the amount of editing that gets applied to modern images and how photography is now more about the use of Photoshop that the simple truth that was presented in the days of film.

This article from PetaPixel shows how some classic images were developed in the darkroom and shows how dodging and burning are marked up on the test print and then used to emphasize different aspects of the images to produce the final result, techniques which are still in use today using modern post-processing software.

 

http://petapixel.com/2013/09/12/marked-photographs-show-iconic-prints-edited-darkroom/

 

categories: Links
Saturday 05.07.16
Posted by Liskeard Camera Club
 

Lisa Woollett Photographer and Author

For those of you who may be interested, Lisa Woollett, photographer and author from Looe who visited the club last year will be showing her photographs and presenting her books of photographs at The Liskerrett Centre Sunday 8th May 7 p.m. The event also includes live music by the Book Shop Band.

Details about the event:

http://www.liskerrett.co.uk/events/event/08-May-2016/talk--book-signing-followed-by-live-music

Lisa's work can be found here:

http://www.photographsofthesea.com/

 

categories: Events
Wednesday 05.04.16
Posted by Liskeard Camera Club
 
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